Neil Emmett discusses the iconic character Max Headroom, originally portrayed by actor Matt Frewer but mistaken for genuine computer animation due to the crew’s creative use of makeup, costumes, and visual effects. The innovative techniques used to fake computer animation, such as deliberate faults and hand-drawn emulations, are highlighted, showcasing the ingenuity of analog work in a time when CGI was not always affordable. The resurgence of primitive digital imagery in mainstream productions like Wreck-It Ralph is noted, urging animators to rediscover the charm of pseudo-CGI and the creative potential it offers. Emmett praises Max Headroom’s enduring icon status and the impact of analog creativity in a digital age.
https://www.cartoonbrew.com/cgi/max-headroom-and-the-strange-world-of-pseudo-cgi-82745.html